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Streaming made the back catalogue disappear

Everything is available until the licence lapses. Preservation was never part of the business model.

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  • The promise of streaming was universal access.
  • What arrived was rotating access, governed by licensing windows that nobody outside the negotiation can see.Availability is not preservationA title can be delisted globally overnight with no announcement and no archival copy in public hands.
  • For work that only ever existed digitally, that is closer to deletion than to going out of print.Who is left holding itLibraries and physical media collectors have quietly become the archive of last resort, which is not a role anyone planned for them.
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    The promise of streaming was universal access. What arrived was rotating access, governed by licensing windows that nobody outside the negotiation can see.

    Availability is not preservation

    A title can be delisted globally overnight with no announcement and no archival copy in public hands. For work that only ever existed digitally, that is closer to deletion than to going out of print.

    Who is left holding it

    Libraries and physical media collectors have quietly become the archive of last resort, which is not a role anyone planned for them.

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    Adrian Vance

    Adrian Vance

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    Writes a weekly column on markets, work and cities.

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